How to photograph Special Projects Coordinator

This is the ultimate guide on how to photograph professionals and Special Projects Coordinator. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.

When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Special Projects Coordinator and not something completely different. Perhaps the Special Projects Coordinator has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.

A professional portrait does not have to be a direct portrait, and if you are photographing the Special Projects Coordinator - just let him or her work as usual and you will try to capture them in their everyday life as Special Projects Coordinator? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Special Projects Coordinator.

When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a standard zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.

Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be standard prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).

And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Special Projects Coordinator. Ask the Special Projects Coordinator if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.

Best cameras for photographing Special Projects Coordinator

Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Special Projects Coordinator.

Nikon Z50 Nikon Z50
Lenses | Compatibility |  Specs | Compare
Released: 2019
Type: Mirrorless
Sensor: DX (1.5x)


Canon EOS M50 Mark II Canon EOS M50 Mark II
Lenses | Compatibility |  Specs | Compare
Released: 2020
Type: Mirrorless
Sensor: APS-C (1.6x)


Canon EOS 2000D Canon EOS 2000D
Lenses | Compatibility |  Specs | Compare
Released: 2018
Type: DSLR
Sensor: APS-C (1.6x)


Fujifilm X-T30 Fujifilm X-T30
Lenses | Compatibility |  Specs | Compare
Released: 2019
Type: Mirrorless
Sensor: APS-C (1.5x)


Sony Alpha a9 Sony Alpha a9
Lenses | Compatibility |  Specs | Compare
Released: 2017
Type: Mirrorless
Sensor: Full frame


Best lenses for photographing Special Projects Coordinator

Here are some popular lenses that might suit your needs when photographing professionals and Special Projects Coordinator. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.

Nikon AF 50mm F1.8 D Nikon AF 50mm F1.8 D
Review  |  Compatibility  |  Specs  |  Compare
Released: 2002
Normal Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 50 mm


Sony FE 50mm F1.8 Sony FE 50mm F1.8
Review  |  Compatibility  |  Specs  |  Compare
Released: 2016
Normal Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 50 mm


Nikon AF-S 50mm F1.8 G Nikon AF-S 50mm F1.8 G
Review  |  Compatibility  |  Specs  |  Compare
Released: 2011
Normal Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 50 mm


Sony FE 24mm F1.4 GM Sony FE 24mm F1.4 GM
Review  |  Compatibility  |  Specs  |  Compare
Released: 2018
Wide Angle Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 24 mm


Canon EF 28mm F1.8 USM Canon EF 28mm F1.8 USM
Review  |  Compatibility  |  Specs  |  Compare
Released: 1995
Wide Angle Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 28 mm


Images of other professionals

Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Special Projects Coordinator? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.

Chef in his workspace - the restaurant kitchen See camera and lens details
1/20s  24mm  f/4

Pastor is reading the Bible See camera and lens details
1/400s  238mm  f/6,3

Teaching in front of her class and students are raising their hands See camera and lens details
1/125s  70mm  f/3,2

Computer specialist at his repair studio See camera and lens details
1/160s  105mm  f/9

Carpenter is using a grinder to cut some metal See camera and lens details
1/100s  20mm  f/5,6

Female Fire Fighter with red nail polish See camera and lens details
1/2000s  52mm  f/5,6

Airline Pilot is approaching New York in his simulator See camera and lens details
1/60s  26mm  f/3,5

Soldier is hiding behind some rubble See camera and lens details
1/1000s  85mm  f/2,8

A dentist is examing a male patient See camera and lens details
1/60s  56mm  f/4,5

Canon photographer with his Canon EF 400mm f/2,8 IS USM telephoto lens See camera and lens details
1/320s  135mm  f/5,6

An asian teacher is educating her students in the forest See camera and lens details
1/200s  150mm  f/4,5

A buffalo farmer is plowing a wet field See camera and lens details
1/1250s  85mm  f/2,8

A software developer is coding on his Macbook Pro See camera and lens details
1/50s  35mm  f/1,4

Electrician in glasses is adjusting a wall outlet See camera and lens details
1/320s  17mm  f/3,5

Painter is painting outside a store See camera and lens details
1/250s  50mm  f/7,1