How to photograph Supply Systems Analyst

This is the ultimate guide on how to photograph professionals and Supply Systems Analyst. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.

When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Supply Systems Analyst and not something completely different. Perhaps the Supply Systems Analyst has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.

A professional portrait does not have to be a direct portrait, and if you are photographing the Supply Systems Analyst - just let him or her work as usual and you will try to capture them in their everyday life as Supply Systems Analyst? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Supply Systems Analyst.

When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a standard zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.

Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be standard prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).

And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Supply Systems Analyst. Ask the Supply Systems Analyst if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.

Best cameras for photographing Supply Systems Analyst

Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Supply Systems Analyst.

Canon EOS R50 Canon EOS R50
Lenses | Compatibility |  Specs | Compare
Released: 2023
Type: Mirrorless
Sensor: APS-C (1.6x)


Sony a7R II Sony a7R II
Lenses | Compatibility |  Specs | Compare
Released: 2015
Type: Mirrorless
Sensor: Full frame


Fujifilm X-Pro3 Fujifilm X-Pro3
Lenses | Compatibility |  Specs | Compare
Released: 2019
Type: Mirrorless
Sensor: APS-C (1.5x)


Canon EOS Rebel T6 Canon EOS Rebel T6
Lenses | Compatibility |  Specs | Compare
Released: 2016
Type: DSLR
Sensor: APS-C (1.6x)


Fujifilm X-S10 Fujifilm X-S10
Lenses | Compatibility |  Specs | Compare
Released: 2020
Type: Mirrorless
Sensor: APS-C (1.5x)


Best lenses for photographing Supply Systems Analyst

Here are some popular lenses that might suit your needs when photographing professionals and Supply Systems Analyst. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.

Canon EF 50mm F1.2 L USM Canon EF 50mm F1.2 L USM
Review  |  Compatibility  |  Specs  |  Compare
Released: 2007
Normal Lens, no zoom (prime)
Aperture: f/1,2
Focal Length: 50 mm


Sony FE 50mm F1.8 Sony FE 50mm F1.8
Review  |  Compatibility  |  Specs  |  Compare
Released: 2016
Normal Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 50 mm


Canon EF 28mm F1.8 USM Canon EF 28mm F1.8 USM
Review  |  Compatibility  |  Specs  |  Compare
Released: 1995
Wide Angle Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 28 mm


Nikon AF-S DX 35mm F1.8 G Nikon AF-S DX 35mm F1.8 G
Review  |  Compatibility  |  Specs  |  Compare
Released: 2009
Normal Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 35 mm


Canon EF 85mm F1.2 L II USM Canon EF 85mm F1.2 L II USM
Review  |  Compatibility  |  Specs  |  Compare
Released: 2006
Telephoto Lens, no zoom (prime)
Aperture: f/1,2
Focal Length: 85 mm


Images of other professionals

Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Supply Systems Analyst? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.

Female Fire Fighter with red nail polish See camera and lens details
1/2000s  52mm  f/5,6

A buffalo farmer is plowing a wet field See camera and lens details
1/1250s  85mm  f/2,8

A software developer is coding on his Macbook Pro See camera and lens details
1/50s  35mm  f/1,4

Chef in his workspace - the restaurant kitchen See camera and lens details
1/20s  24mm  f/4

Airline Pilot is approaching New York in his simulator See camera and lens details
1/60s  26mm  f/3,5

Soldier is hiding behind some rubble See camera and lens details
1/1000s  85mm  f/2,8

Tattoo Artist is working in his studio See camera and lens details
1/125s  50mm  f/2,8

Portrait of a female CEO See camera and lens details
1/160s  105mm  f/9

Sound producer at his mixing table See camera and lens details
1/25s  17mm  f/2,8

Painter is painting outside a store See camera and lens details
1/250s  50mm  f/7,1

Computer Specialist is inserting a new graphic card into his computer See camera and lens details
1/100s  50mm  f/4,5

Architects are reviewing their project See camera and lens details
1/250s  24mm  f/2,8

Computer specialist at his repair studio See camera and lens details
1/160s  105mm  f/9

A female model and brunette with curly hair See camera and lens details
1/80s  85mm  f/5,6

Electrician in glasses is adjusting a wall outlet See camera and lens details
1/320s  17mm  f/3,5