How to photograph Litigation Support Director

This is the ultimate guide on how to photograph professionals and Litigation Support Director. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.

When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Litigation Support Director and not something completely different. Perhaps the Litigation Support Director has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.

A professional portrait does not have to be a direct portrait, and if you are photographing the Litigation Support Director - just let him or her work as usual and you will try to capture them in their everyday life as Litigation Support Director? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Litigation Support Director.

When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a normal zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.

Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be normal prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).

And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Litigation Support Director. Ask the Litigation Support Director if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.

Best cameras for photographing Litigation Support Director

Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Litigation Support Director.

Canon EOS 80D Canon EOS 80D
Type: DSLR
Sensor: APS-C (1.6x)
Canon EOS Rebel T7 Canon EOS Rebel T7
Type: DSLR
Sensor: APS-C (1.6x)
Canon EOS M100 Canon EOS M100
Type: Mirrorless
Sensor: APS-C (1.6x)

Best lenses for photographing Litigation Support Director

Here are some popular lenses that might suit your needs when photographing professionals and Litigation Support Director. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.

Nikon AF-S 50mm f/1,4 G Nikon AF-S 50mm f/1,4 G
Nikon AF-S 50mm f/1,8 G Nikon AF-S 50mm f/1,8 G
Canon EF 85mm f/1,2 L II USM Canon EF 85mm f/1,2 L II USM

Images of other professionals

Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Litigation Support Director? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.

Chef in his workspace - the restaurant kitchen See camera and lens details
1/20s  24mm  f/4

Dough and flour on table See camera and lens details
1/50s  50mm  f/3,5

Teaching in front of her class and students are raising their hands See camera and lens details
1/125s  70mm  f/3,2

Female Fire Fighter with red nail polish See camera and lens details
1/2000s  52mm  f/5,6

Architects are reviewing their project See camera and lens details
1/250s  24mm  f/2,8

DJ with a tattoo on his forearm at his Pioneer mixer table See camera and lens details
1/25s  35mm  f/1,4

A software developer is coding on his Macbook Pro See camera and lens details
1/50s  35mm  f/1,4

Carpenter is using a grinder to cut some metal See camera and lens details
1/100s  20mm  f/5,6

Airline Pilot is approaching New York in his simulator See camera and lens details
1/60s  26mm  f/3,5

A fisherman is heading out in the morning and laying out his nets See camera and lens details
1/400s  220mm  f/11

Canon photographer with his Canon EF 400mm f/2,8 IS USM telephoto lens See camera and lens details
1/320s  135mm  f/5,6

Painter is painting outside a store See camera and lens details
1/250s  50mm  f/7,1

Electrician in glasses is adjusting a wall outlet See camera and lens details
1/320s  17mm  f/3,5

A female model and brunette with curly hair See camera and lens details
1/80s  85mm  f/5,6

Sound producer at his mixing table See camera and lens details
1/25s  17mm  f/2,8